After the year 2 show critique, I’ve been thinking of ways to incorporate paint into moving image pieces. Seeing this work by Shahzia Sikander for the Auckland Triennial has given me a few new ideas - though her work is digital, the images are comprised from watercolour paints and there is a very painterly feel throughout.

First three photos by me, last three from the 5th Auckland Triennial website
After the year 2 show critique, I’ve been thinking of ways to incorporate paint into moving image pieces. Seeing this work by Shahzia Sikander for the Auckland Triennial has given me a few new ideas - though her work is digital, the images are comprised from watercolour paints and there is a very painterly feel throughout.

First three photos by me, last three from the 5th Auckland Triennial website
After the year 2 show critique, I’ve been thinking of ways to incorporate paint into moving image pieces. Seeing this work by Shahzia Sikander for the Auckland Triennial has given me a few new ideas - though her work is digital, the images are comprised from watercolour paints and there is a very painterly feel throughout.

First three photos by me, last three from the 5th Auckland Triennial website
After the year 2 show critique, I’ve been thinking of ways to incorporate paint into moving image pieces. Seeing this work by Shahzia Sikander for the Auckland Triennial has given me a few new ideas - though her work is digital, the images are comprised from watercolour paints and there is a very painterly feel throughout.

First three photos by me, last three from the 5th Auckland Triennial website
After the year 2 show critique, I’ve been thinking of ways to incorporate paint into moving image pieces. Seeing this work by Shahzia Sikander for the Auckland Triennial has given me a few new ideas - though her work is digital, the images are comprised from watercolour paints and there is a very painterly feel throughout.

First three photos by me, last three from the 5th Auckland Triennial website
After the year 2 show critique, I’ve been thinking of ways to incorporate paint into moving image pieces. Seeing this work by Shahzia Sikander for the Auckland Triennial has given me a few new ideas - though her work is digital, the images are comprised from watercolour paints and there is a very painterly feel throughout.

First three photos by me, last three from the 5th Auckland Triennial website
After the year 2 show critique, I’ve been thinking of ways to incorporate paint into moving image pieces. Seeing this work by Shahzia Sikander for the Auckland Triennial has given me a few new ideas - though her work is digital, the images are comprised from watercolour paints and there is a very painterly feel throughout.

First three photos by me, last three from the 5th Auckland Triennial website

After the year 2 show critique, I’ve been thinking of ways to incorporate paint into moving image pieces. Seeing this work by Shahzia Sikander for the Auckland Triennial has given me a few new ideas - though her work is digital, the images are comprised from watercolour paints and there is a very painterly feel throughout.

First three photos by me, last three from the 5th Auckland Triennial website